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MY BROTHER'S KEEPER (Short film)

Log line: By facing his past will he set himself free? A short film about overcoming grief.

Profile for Tajah Stevens
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•SYNOPSIS

•Adam and his brother Max are inseparable. They do everything together. The boys go on a winter break with their mother to South Wales, a loved destination they visit every year. Their love of the freedom that the open countryside brings alongside the idyllic and safe community draws them in . They are trusted by their mother to go and explore as they please. They roam the ruins and secret gardens before encountering the coastline where they decide to go for a walk along the cliff . Max walks right along the  edge and his brother tells him to stop playing as it isn’t safe. max  slips and falls to his death. The family is overcome with grief.  Years later,  Adam returns to the scene and recounts the fond memories he shared with his brother until he reaches the shoreline. He replays the events that lead to his brothers death in his mind as he takes off his clothes and places them in a neat pile. The memory of how his mother blamed him for not taking care of his little brother is going through his mind as he enters the water. A dog walker on the hill sees what she thinks is a person going for a swim but when she eventually reaches the shore, there is no sign of the Adam; for the longest moment the dog walker looks out to the ocean and sees nothing. Adam is under the struggling for breath adamant that he is going to commit suicide. As he loses consciousness his life flashes before his eyes all the images he sees are empowering relinquishing the guilt that has plagued his life. He regains consciousness and fights to get to the surface and takes a deep breath of air as he breaks the surface. having had a life changing moment  he comes to terms with the death of his brother then emerges from the water , out of breath but reborn in a sense.


Principle Photography will commence on the 31st of January 2022, completing by 4th February 2022, and will mostly take place in Port Eynon, South Wales. Some potential additional filming may place in Weston-super-Mare, North Somerset at a date to be confirmed.


Closed

2nd Assistant Director

Role status:

Closed on 31 December, 2021

In return for:

Partnership (unpaid)

Food/Accomodation

Location:

Based in Weston-super-Mare, United Kingdom

The First Assistant Director (AD) is the director's right hand person, taking responsibility for a number of important practicalities so that the director is free to concentrate on the creative process. During pre-production, First ADs break down the script into a shot by shot storyboard, and work with the director to determine the shoot order, and how long each scene will take to film. They then draw up the overall shooting schedule (a timetable for the filming period). Once the film is in production, Firsts are in charge of making sure that every aspect of the shoot keeps to this schedule. Responsibilities: First ADs' main duties are assisting the director, coordinating all production activity, and supervising the cast and crew. They are also in charge of a department of other assistant directors and runners. Overall, they provide the key link between the director, the cast and the crew, while also liaising with the production office, and providing regular progress reports about the shoot. Before the shoot, the Firsts' main task is to create the filming schedule, working in careful consultation with the director in order to fulfill his or her creative ambitions. When drawing up the shooting schedule, First ADs must also be aware of budgetary constraints, cast availability and script coverage. Preparing the storyboard, overseeing the hiring of locations, props and equipment, and checking weather reports, are all key pre-production duties for Firsts. During production, they must ensure that everyone is on standby and ready for the director's cue for action. First ADs' core responsibility is to keep filming on schedule by driving it forward, so they frequently make announcements and give directions to coordinate the cast and crew. They also control discipline on the set, supervise the other assistant directors, and oversee the preparation of the daily 'call sheet' (a document detailing daily shooting logistics, which is distributed to all cast and crew). Firsts are also responsible for health and safety on set or location, and must take action to eliminate or minimize hazards at all times. For the purposes of our shoot the 1st AD will also create and distrbute Call sheets.

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